LOS ANGELES — The 67th Grammy Awards kicked off Sunday with a crimson carpet filled with black and subdued tones towards the backdrop of loss and devastation from the Los Angeles wildfires.
However there was loads of sparkle and assertion appears in large sleeves and embellishment.
Right here’s just a few traits and moments from the crimson carpet:
Ye and Bianca Censori’s shocker
Chicago rapper Ye, previously often called Kanye West, is not any stranger to inflicting a scene on the Grammys.
Ye and his companion, Bianca Censori, took the highlight along with her barely there clear gown that left nothing to the creativeness. She arrived on the Grammys in a darkish fur coat that she dropped to disclose her birthday go well with.
Censori is understood for inflicting a stir along with her sheer road fashion.
Purple was a vibe
Purple is an everlasting pattern in style of late, because of Taylor Swift’s dedication to the colour at boyfriend Travis Kelce’s Kansas Metropolis Chiefs video games. And it had a second on the Grammys.
Swift’s gown Sunday was a brief little quantity with a pleated skirt on the backside and one sleeve up high. It matched her signature crimson lips completely.
The sparkly gown had a bit of chain with crimson jewels at one hip.
Sierra Ferrell evokes a bride
Ferrell received BIG with 4 Grammys. She did it simply as BIG in an enormous white robe that evoked a means enthusiastic bride with no style fears, designed by Jeffrey Kelly Designs.
Ferrell’s gown included large luminescent sleeves, pearl embellishment throughout and an identical choker piece. And she or he didn’t overlook her daring bride’s veil: a head piece with pearls and flower touches above giant pearl chandelier earrings. And she or he had a scepter, the place she stashed her acceptance speech.
“Actually that is type of hilarious,” she joked after returning to the stage for a 3rd time. “Yikes!” she began her fourth acceptance speech.
Chappell Roan is a complete temper
Roan walked in a classic look from Jean Paul Gaultier Haute Couture, lengthy wavy crimson hair flowing down her again. Her signature white powder make-up was filled with shade: yellows and blues and pinks and reds.
Roan’s look had touches of teal and pictures of Degas’ dancers on the skirt. It was Gaultier classic from spring 2003.
“The singer has change into identified for her daring, inventive crimson carpet decisions that replicate her distinctive sense of fashion and character, and tonight was no exception,” mentioned Claire Stern Milch, digital director for Elle.
Roan’s robe is from spring 2003. It was first worn by Beyoncé in Elle that April. The 2 have been up towards one another for Grammys.
